It always seems to surprise people that I love ICP and other Psychopathic acts. I had two ICP tattoos done when I was 17, but I’m no Juggalo wigger, at least not anymore! Ha. For the years leading up to and following the turn of 20, I got a bit ashamed of my body art, mainly due to the internet revealing so many Juggalos as being total and utter fucking morons, and ICP et al’s…

And the award for best cover art ever goes to…Stoma! Ha ha. This band are becoming a long standing default in the goregrind world, and with good cause; their low-end, rumbling gurgle’n’scream sound projects them as a kind of scat and prolapse obsessed version of Regurgitate. In the vein of the sheer ridiculousness of this particular sub-genre, this can only be a good thing. Their side of this EP, entitled Rectal Cranium Inversion, is two mid-length tracks of Stoma-ery goodness. My…

Toecutter HC kick things off with a super-fast punky grind assault, and after all the non-grind I’ve been reviewing recently I find it rather difficult to keep up! It’s all kept rather simple here, there is a no-nonsense approach which seems to be missing on a lot of records these days. Straight to the point and over before I’ve written no more than a few sentences, Toecutter HC are ones to watch in the volatile world of…

There is no other band in the world that sounds like Dead Neanderthals (although 7000 Dying Rats and Rich Hoak’s solo experiments do come close in their own little ways). Jazzgrind? Or is it saxgrind? Who the fuck would have thought it? Not me, that’s for sure! Trust the Netherlands! Ha ha. This is one of the original Bat Shit Records pressings of the 7″ EP, limited to 105 copies (I have number 92). It…

An absolute classic record in every shape and form and propelled me full on into the world of grindcore and death metal. Could easily be a contender for one of my favourite albums of all time, but I think in my mid-teens I played this record to death. Unfortunately it was never pressed on vinyl (fecking sort it out Earache!), but the CD version will suffice. It’s simple, and digital as fuck (in both sound…

I absolutely loved the first Waking The Cadaver record but I could never truly get my chops around Beyond Cops, Beyond God. I feel that everything I love about the WTC sound is missing here; the razor-wire guitar work, the out of time gravity blasts and THAT piccolo snare drum! Here WTC take their Devourment-by-numbers slam death sound and bash it head on into the more traditional brutal death studio sound. The quality is a massive improvement, but…

Nothing screams “redneck death metal” more than having a CD out on Sevared Records and not being able to correctly spell your own band name. The label too, it seems, has issues with spelling. One shitty photoshop smear of a logo and boring cover painting later, we have Chronic Disembowelment, which despite all my sarcasm is actually fucking excellent. The intro sample is a fucking bore but as soon as this bastard kicks in you won’t be…

This is the slipcase CD version of the 1994 classic black metal record. I’ve never liked Emperor if I’m honest, even though I should. The giant black metal phase of my life has for the most part passed and I doubt I will ever get into them. I always wanted Emperor to be good but every time I spun this disc I found it insanely hard to listen to. I guess it’s the production or…

This was my first Technique purchase. I got it quickly after first hearing him online because I read it was free from his label Viper Records; the post and packaging coming to a nice little £3. You can download it here or get your free copy here (2021 edit: link is now fucked). Burn this shit, as the CD so strongly suggests you do. Can’t go wrong with the ethic this label has, so go and peep that shit. …

Wow! This is short and sweet but it sure does the trick of hitting the ol’ grindcore spot  (could I shorten that to g-spot without sounding suspect? Hah). Necklacing’s pro-pressed tape release of I is a powerviolency grind smash up available in three lovely colors. I have the transparent red version. Don’t take my word for how awesome this is, listen to it for free and then buy it because it’s wicked awesome and cheap…

The first thing you’ll likely notice about this EP is that the labels instruct you to rip this at 45rpm, when it clearly should be played at 33rpm. Typos aside, we have a seriously interesting mix here. Fascist Insect have a punky approach to grind, and throw a lot of different influences into the mix as well (there is even an acoustic guitar at one point). The sound is very metallic, and the vocals are very strained and impressive….

Hells bells I’ll say one thing; Bringer Of Gore Rex loves the dirtier underbelly of grindcore almost as much as he loves his badly pixelated cover artwork! No frills here once again, just Tumour belting out blast after blast of indecipherable watery cyber grind. almost sounding like your mother drowning in piss after stealing the original LDOH demo and adding a electronic drum track to it (before she drowned in piss). Yes, this is that…

Initially, I was puzzled to why the WIAFS album was split into 2 parts on vinyl. I could live with it, but it annoyed me nonetheless. When I espied part 2 for cheap on Discogs, I snapped it up. Little did I know until this arrived (go me for researching properly) that these two volumes are just two tracks a piece; one on each side. Man that sucks! I guess it was an easy way…

This post is dedicated to Michael Gira’s dog Nina, who passed away last week. Songs for a Dog is essentially the vinyl version of what would become The Milk of M. Gira on CD. Both act as compilation albums of Gira’s self-released acoustic stuff, which is all out of print, limited edition and worth a fucking fortune. This was originally put together by a British label called Lumberton Trading Company back in 2006. It is…

I picked this 3 track promo / single up dirt cheap from Kelly’s Records in Cardiff (it’s a wonder the fucking thing doesn’t skip – you’re lucky to get a playable record from that place, let me tell you!) as I’m a sucker for classic Alice Cooper and as you all know everything sounds better on vinyl. Well, most things. This sneaky 12″ spins at 45 so “Poison” and “Trash” fly by on side A;…

9TH OCTOBER 2012: It is with an epic feeling of chuft-ness I unveil to you the 100th Lines in Wax blog post! What sorcery is this? I have actually stuck something out passed it’s initial conception stage! I’m rather proud of what Lines in Wax is slowly becoming, if I’m honest, so I’ll take this moment to quickly thank all you readers from around the globe for tuning in and having a gander at my…

I don’t know where my interest in classical music came from, but one has to assume that it has somehow stemmed from the orchestral involvement in some metal music; either that or film soundtracks. I don’t collect or own many film soundtracks, but I guess that we are all subject to a lot of classical music without really noticing that we are listening to it as it plays along to some of our favourite movies, tv shows…

I always forget how much I love BFOT until I spin this one-sided nightmare. The mix of power electronics and harsh (dare I say it) post-grind really is something to behold. The electronic and noise passages range from the downright horrid and nasty through to floral and sprawling; lush soundscapes of peace acting as intermissions between the balls-to-the-wall full band pieces, which are something to behold all on their own with their genre-bending groovyness. BFOT…

It has been a long wait, but I bet a whole bunch of people are happy with Earache for finally deciding to press both Iron Monkey records onto wax for the first time ever. They are pressed from digital masters, so I wasn’t expecting the world but they actually sound absolutely fantastic. I’ve always been put off by Earache’s CD comp of all Iron Monkey shit (I’m a record-in-it’s-original-form kinda guy), so when I heard…

This 12″ is absolutely massive! Every time I put it on the bass on this Planet Mu pressing literally shakes my house! This is a prime example of electronic music cut onto vinyl; I would gladly use it to put all the analogue-or-die vinyl fans in their place, that is if I was cool enough to know people who could possibly argue over that thing. I was excellently blessed with this for free by someone…

This is the Gold Dust Gramaphonics pressing of GLC’s 2002 seemingly untitled EP. You Knows It 1983 is written on the back under the logo, so I’ve just used that as the name for now. All we have here is basically a collection of skits and old tracks, one of which would go on to appear on the 2005 record Safe As Fuck. Side a kicks off with “Roller Disco Remix”, which is just that;…

I’ve been anticipating the review of this monster for a very long time; it has been nagging away at the back of my mind since I heard the album a few months ago. I almost wrote the review on the mp3 files I heard, but I pressured myself into waiting for the actual finished product, and boy am I glad that I did! The Seer is an absolute fucking monster of a record, and is…

In my last Anal Cunt post I mention briefly that Limited Appeal Records put out some fantastic records, and this here slab of ridiculousness is a prime example. Regardless what you might think of Anal Cunt’s Picnic of Love record, the pressing itself is a labour of love; the front has whole new artwork from the original, each one is hand numbered (I have 13 out of 311), the art and text on the labels is hand done; and…

(2021 Edit: thanks to Photobucket for fucking my only picture of this release with a whopping sopping wet cunt of a watermark. There are 2 other versions of this release, the artwork on mine is posted at the bottom of this post. Fuck you Photobucket!) Welcome to Lines In Wax’s first CD post! Holy mother, I’ve sold the fuck out. It had to happen eventually; it is a dark world where every single piece of…

A quick note on looking back at this blog’s beginnings: I realise how harsh I was towards Agathocles in some posts. Whilst I do tire of them constantly re-hashing the same old stuff over and over in different shitty recordings, they are an excellent grindcore band (yes, grindcore!) and when they actually make original material it is usually very good. Not to mention they are fucking excellent live! I picked this 7″ up from Nic’s Bones…

Post Mortem is another Seth Putnam band* from back in the day before Anal Cunt gained any particularly large international recognition. Although Seth is only on side A, he put this out on his own label; Wicked Sick Records (RIP). His vocals here show a whole different side to the guy so deeply associated with his usual shitty AxCx gargles and screams. Post Mortem themselves seem a bit lost musically, there is a whole lot…

The more I write about XXX Maniak the more I wish they would come back and make some more music, as a one piece or two piece; I’m easy. Just make more grind. Please! There are some XXX Maniak greats here, “I Must Fuck Everything” is just too catchy for it’s own good, as is “Slutty Vag, Tiny Tits” and “Unbridled Sex with Dead Animals”. It’s not their best sound ever though, it feels like…

I never know what to make of Zeke. I picked this 7″ up purely because it was so cheap on Relapse a few years ago. I picture this band to be great live. I envision it as fast sludge. It is like rock’n’roll and hardcore punk mixed into a sludgy southern feel. There are a lot of traditional influences here, and it even sounds like something altogether more Black Label Society in parts. Hmm. Puzzling. This is…

As with the other Mixomatosis 7″ I have, I have come to the conclusion that they seem desperate to squeeze as little as they can onto a record and call it an EP. Saying that, this is by far my favourite Mixomatosis minute or two; obscene goregrind obviously digitally remixed (shifted drums) melds awkwardly with (probably copyrighted) full orchestra music, before falling away and returning with more flanger-drenched horribleness. This is more noisecore than I…

Alas Babylon! What we get here from the forever excellent and fantastico! crazy grinders TFD are demo versions / different recordings of songs that appear on the Hater record, mixed with a few others for good measure. The sound is big and biting as usual, the clusterfuck drums ahead of the winding guitars. It is a condensed version of some of their excellent tracks and a great place to start if you’ve never heard their mental-as-fuck grindcore…

How nice it is to look back on something you’ve created! I’ve been involved in my fair share of shitty projects, and Urinal Shit was my solo noisecore/goregrind crossover. In the myspace days it (somehow) garnered small levels of interest, and I was even offered a realise by a D.I.Y. label, which really rocked my shit. The now rather extinct Mental Abuse records released my first and only EP under this name in mid to…

At first glance this 7″ looks awesome, but take a closer look at the artwork and you’ll notice it is actually badly drawn. Nevermind! Epic studio quality shits from Mixomatosis with hilarious vocals. Terrible samples aside, this music is well recorded and well put together, but side B’s live track is a bit shit, if I’m honest. Also, at 45rpm it is over in such a short time.  I wouldn’t know where to start with Mixomatosis’ rather extensive back…

(2020 edit: I apologise for the shitty artwork on this one, Photobucket have laid a watermark over a photo that I took myself, but there we go) I wasn’t entirely fussed on Mortiis’ much more metal approach in 2004 but there are some cracking tunes on The Grudge, including the title track, packaged here whittled down to a club-size bite. I can’t blame Earache for wanting in on the electro-goth club scene audience that Mortiis…

I initially thought this just a completists item, and being a total crazy fan I simply had to get a copy on my quest to own all Godflesh stuff. The “Radioslave” version carries the original off on a whole new tangent, keeping the opening 90s dance vibe as its leading beat rather than heading into the heaviness the original does. The sample of the lyric “Jesus!” blares continually. “Total State” batters “Slavestate” into an unrecognisable…

This is one of the albums that changed my life, as far as music is concerned. By far superior to anything else the Carcass discography, Symphonies of Sickness is the ultimate expression in downtuned guitars, scatterfuck dual vocals and blasting drums. The crisp and warm guitar tone can only be described as grinding. This is the definate grindcore guitar sound; fuzzy, yet grating enough to create a suitable amount of audible chaos. Symphonies can sound…

When I Initially bought this I thought it was an LP (silly me) so expectedly I was a touch disappointed on its arrival. Never mind, because that initial disappointment faded very quickly upon first spinning Black Sun’s self-destructive noise meets sludge attack. Imagine early Swans, Iron Monkey and Burning Witch having a fight in the bottom of an mine shaft and you should have a pretty good idea of how Black Sun sound. Paralyser isn’t as noise…

I don’t particularly find this record exciting in any way . As far as middle of the road, no frills thrash goes, Re-Animator have got it down to a tee. I’m sure that there is a bunch of metalheads out there who love this, without question, but the reason this is in my collection actually has nothing to do with the music on the disc. It is there because of its artwork. The artwork was…

Godflesh is one of my favourite bands. Not of all time, because I have not known them “all time”. But, when I finally got my head out my arse and searched for some music that wasn’t grindcore, German techno-porngrind or Sunn O))), I never, ever looked back. Godflesh’s effect on my outlook of music is just as important as Napalm Death’s original input into my perception of music (how ironic it is that both bands…

This is the TVG Global Thrashcore Dealer pressing of Abuse, which I picked up before it was re-released by Earache a short while later. I got this off Shane Embury’s FETO stall in Deathfest 2010 (or were Wormrot selling this next to Shane Embury’s stall? That would make much more sense, surely? I don’t know!) back when Wormrot were very much unknown in the UK. They have come a long way since, and two full UK tours later I feel they…

So I finally grew the fuck up and got this album. After years of holding out, hoping and praying for a shot at the original pressing from back in the day, I finally gave up on owning a piece of musical history. I can only justify so much for a record. It is, at the end of the day, historic or not, it’s just a piece of vinyl. I don’t like Burzum enough to justify…

Another smashing Back On Black black metal pressing (did you have to read that twice? Ha ha). This is really fancy, smooth and shiny and looking as sexy as black metal can in all its gatefold glory. I learned my lesson after purchasing Burzum’s Burzum and instead got this from HMV for the fucking criminal price of £9.99 including delivery rather than being raped by Plastic Head. Why go direct, eh? 1349 are something else….

Early Misfits seems to me to suffer to the same bane as Agathocles, all the same shit seems to be released on tons of different bloody albums. It is hard to tell what is the original recording of a track and what is different. I was going to start off by saying that Legacy of Brutality mixes alternate recordings of some tracks with other tracks that are originally off…then I drew a blank. They really…

One of my all time favourite songs! Shaming that I never got around to buying this any sooner too! And I gotta say, it sounds fucking massive on vinyl. The higher vocal frequencies end up in fizz a bit, but the bassier parts are much more prominent to what I am usually expecting. Also, the panning seems somewhat different? The joys of analogue music (assuming Aphex Twin was still using analogue equipment to make his…

One of the first black metal records I ever heard, and one of my favourites. I waited a very long time to get this on wax; eventually getting a copy on white when Back on Black were good enough to release represses. The original vinyl pressings on Nuclear Blast are worth a bit more, but that’s ok, I’m not particularly wild or fanatical enough about black metal in the grand scheme of things, so I can let the original…

Where Scum put grindcore on the map for most people, From Enslavement to Obliteration took the whole genre to new depths of mental speed and heavyness. I read once, I think in Terrorizer magazine, FETO being described as the bastard of a younger brother to Scum. Scum may have started it all, but FETO perfected the blueprint. To be honest, it just rips your fucking head off. I got this picture disc as a gift…

This has to be one of my favourite records – just look at those colours! The way this album was packaged and marketed by Relapse was brilliant; alongside this excellently nauseating vinyl package, the CD version came with extravagant packaging and a formaldehyde scented disc for ultra-mortician vibes. That’s dedication! For me, I find that I love The County Medical Examiners because they fill the void that Carcass left when they fucked off to make…

I don’t think in the history of music that an album title has so correctly summed up it’s contents like this one. By the time Anal Cunt announced that they were working on a new album that wasn’t shitty attempts at rock music, most people had either forgotten or given up completely. Now you have to take what I’m saying here with a pinch of salt because it is Anal Cunt and it is hard…

In the 80s, Swans went through various forms of horrible music; starting with the fuckfest of jazz and no wave, then somehow mutating to dirgy, percussion heavy, bass guitar driven nightmares. With the album Cop, Swans added the focus to real distorted guitar in the mix and created something more musical yet still epic and heavy, and thus instantly inventing Godflesh and a hundred other bands in the process. In the remaining gap between that…

As far as dubstep goes I’m still pretty inexperienced, but as my musical tastes somehow mutate drastically I find myself listening more and more to this genre. Scorn for me were the in-road into this electronic genre I would have maybe never touched otherwise, despite the fact a lot of types of dubstep (or gorestep) artists mimic the structure and heaviness of metal music. This double 12″ by Ohm Resistance however, does not strike any…

This here post is a very special one for me, because this D.I.Y. lathe cut piece was commissioned by myself last year. It contains music I made with a bunch of people that is slightly out of my normal comfort zone, but it was (and still is, in fact) a ripping good laugh to be involved in. The Start! Start! band/project came about entirely by accident. It came about in 2009 when I decided to take my…

“It’s really hard to tell which side is which!” These are my first thoughts upon playing this little brown rectangle of hell. Both sides feature noise maniac Katz Seki, and I’m not sure what is meant to be Gorgonized Dorks and what is meant to be his solo/side project Humanextermination Project. After inspecting the packaging it seems that drums are only credited to the G.Dorks side so what I am listening to now must be…

I always remember my father talking about this record. This was always one of those stories that would come up after a few whiskies. Long and short of the story was that my Dad had swapped this Jimi Hendrix record for something a long time ago, and that the record must have been worth a fortune now. He mentioned it once after my initiation into the awesome world of vinyl and I decided to look…

This is one of my favourite 7″s! Paul Catten fronted Lazarus Blackstar is a rare beastie, but a feckin’ good ‘un. In my opinion their existence can be summed up in this cracking little EP (not that the records aren’t any good), which really acts as an an album sampler for Funeral Voyeur more than anything. Side A eclipses side B, “Make Believe Master” is enormously heavy and ridiculously catchy for something of this slow…

Sorry it’s been a while since I’ve done a post, I’ve been working on other things including behind the scenes work for this blog (writing a lot of posts in advance is a new tactic I’m going for). Today we have a post for Enemy Soil’s classic slice of drum machine grind; Casualties of Progress. The EP was put out on Relapse in April 1995 on a run of both black and grey marbled records. It has…

I had a passing interest in Gallows when they hit “the big”; they were a gritty band combining the groove of traditional/doom metal with the energy, anger and song structure of hardcore and punk. Unfortunately, I’ve spun the one record with this song on it a few times (I can’t remember what it is called) and I don’t get it. I love “In the Belly of a Shark” as a single though, which is a…

Y’know what, I don’t know anyone who fucking likes Mortiis. Either he really isn’t appreciated at all, or I am just surrounded by people who do not understand his music. I’m pretty certain it is the latter. When I was in school a lot of the goth kids started liking Mortiis when The Grudge came out, and this pissed me off if anything, because I’d been chastised for listening to Mortiis for years, and now…

What we have here is the 2006 split release between 7″ masters Embalming Theatre and the excellent yet short lived gore/porn/cybergrind maniacs XXX Maniak. This, along with the Birdflesh / Hatebeak split and the Bowel Stew / Tu Carne split, constituted my first vinyl purchases ever. Those were the days! This was put out by the excellent Haunted Hotel Records on a run of 1000 copies; 300 on grey and 700 on black. According to…

What I like about getting another Embalming Theatre split is that you can see what weird and wonderful art Mr. Gemmet has come up with time. This under-rated Swiss genius seems to squeeze out any pretentiousness from his surrealism before bashing it headways in full colour into the morbid, the sick, and the downright unusual. This rather colourful 7″ sleeve features a very angry looking guy with wires in his mouth. These wires are subsequently,…

Before there was Skindred there was Dub War. I was always attracted to this band because of their awesome name. A war of dub? Sounds like my kind of party. Unfortunately I found Dub War a bit wet, not too shabby but very disappointing considering what I built them up to be in my head. My love for them sadly does not extend any further than this cheeky little single pressed by Earache (when they…

This is a classic in my book. Never considered myself a Kennedys fan but I love this song. I remember hearing it on some lame Kerrang! compilation CD when I was in Sixth form. That I would later go on to discover Napalm Death had covered this made it even better. There is a few different versions of this pressed by both Subterranean Records and Alternative Tentacles, and I was initially confused with which one…

It is often easy whilst analyzing Godflesh’s contribution and effect upon heavy music to focus wholly on the groundbreaking Streetcleaner record and to overlook this crooked, snarling little gem of industrial terror. More claustrophobic than Streetcleaner’s sprawling inhuman soundscape, Godflesh pummels the listener with a mechanized drum machine attack and plodding, menacing bass. What I have here is the original, untouched Swordfish Records pressing of this EP. Some think that the clear Swordfish pressing is…

To say that The Cumback split Gut’s fanbase in half would be an understatement; 2006’s rap metal crossover fuckfest alienated more goregrind fans than you’d care to even think existed! Who then, I hear you cry, keeps pressing Gut records? And who the fuck still buys them? Well, the answer is labels like Supreme Chaos and idiots like me, it would seem. Pete Steele (may he rust in piece) in an interview about Type O…

This is an extremely collectable Swans “bootleg” of live performances recording during the supporting tour for the seminal album Children of God, pressed on double 12″. It was actually recorded for the band by Jack Balchin, the band’s sound engineer at the time, using just a Sony Walkman, and was originally marketed as a bootleg to save any hassle with record labels. Feel Good Now doesn’t quite live up to the total aural destruction of…

This here post is about the fantastic Morbid Records classic split between goregrind legends Dead Infection and prolific noise/rock/goregrind/strange Japanese mentalists, CSSO. It was only ever pressed once in 1998 on black and is therefore obviously very much out of print. When I discovered the wonders of the Discogs website this was one of the very first things I bought, being big into goregrind as a teenager I dreamt one day of owning all the…

After Dead and Butcher ABC toured Japan together it wasn’t much of a surpise when a split came out a few years later. Japan’s excellent Obliteration Records co-released this (it would seem) with Autopsy Stench Records (who, being German, I assume have something to do with Dead). As far as my small mind is aware, all the copies are on black. What we get from the usually excellent goregrind legends Dead is actually a rather…

This is Relapse’s 2006 pressing of Criminal Element’s short EP on single-sided 7″ wax. Besides the usual 100 Relapse clear copies, 400 exist on blue and 500 on green. It’s surprising how bands like this fall under the radar. You’d think that a “supergroup” style band with members from Dying Fetus, Suffocation and Misery Index would be big news, but this, along with all other Criminal Element releases, just seems to fall into obscurity not…

I’ve become very selective with my grind purchases these days (which is a real shame, but money is a factor), but this looked really interesting so I picked it up. I love the homage-style splits that come around every so often, and this one features two really awesome players in the grind scene so it would have been daft not to get it. I got it in June 2011 at some stall in Hellfest, three…

As far as I can tell from quick searches around the net, Covenance seemed to be a short lived project involving members of Dying Fetus and Misery Index. Whether this is true or not, I am not entirely sure. I got this 7″ back in the day when the dollar was weak as piss compared to the British pound, and I would get tons of records off Relapse imported at a fraction of the price…

My copy of this record is the 2007 reissue by the fantastic Bones Brigade Records on clear vinyl. This noisy EP was originally released in 1998 on Deaf American Records (a label once run by ‘Truth’s own Rich Hoak) on a run of red records. There is also another Bones Brigade press of 300 on white. This is perplexing one for Brutal Truth. It is aeons away from their well assembled studio albums, having been…

This here version of this awesome little record is the 2010 repress by Deep Six Records. For those of you not in the know (like me when I bought this – Ha ha!) this split was originally released back in 1996 as a collaboration between fellow blogspotters Bovine Records and Rhetoric Records. I got this off the Bones Brigade stall in Hellfest 2010. Basically what we have here is more horrible spazzy 8 track foolishness from Brutal Truth! Exactly what the doctor ordered!…

It never fails to amaze me how a band so steeped in history of abstract experimentation and drone can have so many rock ‘n’ roll influences. I guess comparing this record to say, the bands experimental collaborations with the likes of Merzbow or Keiji Haino can only solidify the fact that they are currently one of the most diverse acts out there at the moment. It’s time for Boris to do some rock ‘n’ roll….

(2021 edit: I’ve included the original shitty pictures/scans for this post because it was one of the first I ever did for Lines In Wax, over ten years ago!) This here is one of the very first 7″s I ever bought! Birdflesh split with the hilarious Hatebeak on Relapse Records. I have the repress edition of 500 on transparent purple / green splatter. The original press consisted of 400 yellow and 100 clear (currently for…

Your looking at the post for Blood Duster’s 2004 re-release of their 1992 demo tape, on a super cool picture disc. It was remastered from the original tape and released by Bizarre Leprous Productions. Musically, it’s a whole world away from Blood Duster’s bizarre mix of blasting grindcore and swanky rock’n’roll; a dirgy, muddy six tracks of horrible noisy goregrind. Where pitch-shifted vocals sneak into later Blood Duster every now and then, here they are the…

Here’s a release that’s a bit unusual for my tastes; The Big Pink’s slightly well received single “Dominos”. Some of you may remember it from Xbox 360 adverts a few years back? Anyways, this 7″ was put out by 4AD in 2009. I can’t find any pressing information, but seeing as The Big Pink appealed to a lot of people I would assume that there was a lot made. After seeing these support Muse in…

Another one of my first ever 7″ purchases. This time, horrible, disgusting goregrind, of course! This is the Bowel Stew split 7″ with Tu Carne, released in 2004 on the no longer active American label Murder The World. The cover is a bit fucked up, if your not a gore-hound be prepared to be a bit shocked. Both bands offer up noisy passages of goregrind, Tu Carne are probably a bit more organised than the…

This is the Black Sun split 7″ with They Are Cowards that was put out by At War With False Noise in 2009 on a super limited run of 300 black copies. Not much to say here, as this is really a collectors item. Black Sun’s input is an earlier version of “Code Black” which was to later to go on to appear as the opener to their album “Twilight of the Gods”. It’s a…

So this is the biggest Lines In Wax blog post yet! The mighty grindcore compilation that is This Comp Kills Fascists in 7″ box set form: “This Box Kills Fascists (Always)”. It was originally released on CD by Relapse in 2008, and then on double 12″ LP as a co-release between Relapse and Deep Six Records. In early 2009, this monster version dropped on Relapse, imitating a series of split 7″s. As per usual with…

This is “Another” split EP between early Anal Cunt and the slightly infamous Meat Shits. The version I have was put out in black wax on Seth Putnam’s own label, Wicked Sick Records, back in 1991. As with the 88 Song EP, Fudgeworthy Records have re-released this rare AxCx 7″ in 1996 on blue and clear pressings. Musically, it’s a typical old school noisecore Anal Cunt up against the horrible noisecore/goregrind crossover mess that is…

This is Anal Cunt’s 7″ single for “Stayin’ Alive” (yes, a Bee Gee’s cover song!) that was put out on Earache Records just before the release of “Top 40 Hits” in 1994. All copies are a transparent, almost marbled orange colour. Musically this is a pointless 7″, making it totally a collector’s item only. All tracks are on the Top 40 Hits album, except “Schnauf”, which is a parody cover of “Shout” by Tears For…

This post is about Anal Cunt’s 2001 EP “Defenders Of The Hate”, which was released not too long before Seth fell into a coma. It was re-released on CD in 2007 by the same label (Menace To Sobriety records) bolstered by a bunch of other tracks from various compilations and splits. As far as I’m aware, all versions of this record are on black. Aesthetically, the record is pretty standard and boring. It has a…

This is the first ever EP by legendary noise fools Anal Cunt. It was originally self-released in 1989 by the band, and then re-released in 1997 by Fudgeworthy Records. The Fudgeworthy version (the version I own) was a 1000 pieces on grey wax. The originally 1989 release was on black, although I am unsure how many were made. The 1st original pressing is extremely collectable. If anything, this was a mere sampler of what was…

What a horrible, horrible record! This is Anal Cunt’s ridiculous 5643 Song EP, self-released by Seth and put out in Europe by TNT & Records and Stridecore Records. This is one of the European pressings, which is identifiable by it’s slightly odd and perplexing rude artwork. According to scarce info available, this release was pressed continuously in 10 different colours, causing insane overlapping effects on some extremely rare copies. One obscenely rare version of a…

Here we have Agoraphobic Nosebleed’s 2009 split with The Endless Blockade, which was released on a 1000 copy press by Relapse Records. 500 were made on blue, and 500 were made on black. Strangely enough, there doesn’t seem to be the usual 100 clear pressed on this Relapse release (2021 edit: the 100 clear run does exist for this one, like every Relapse release). Agoraphobic Nosebleed’s material sounds like a carry-on in the vein of…

Very interesting EP from Agoraphobic Nosebleed, out on Garden Of Exile in a plethora of different colours. In the first pressing of 800 copies, 350 were made on black, 250 yellow, 150 white and 50 super rare yellow / white “fucked up” versions that were offered as a pre-order. These 50 are hand numbered and fetch up to £40 on Discogs. The entire release was repressed the same year (2007) on a 100 red copies….

This is a special post for me, as this was my first ever Agoraphobic Nosebleed vinyl, and also one of the first 7″s I ever bought (2021 edit: I also now have a significant portion of this artwork tattooed on my arm). I am talking, of course, of the fucking livid split ANb did with Kill The Client on Relapse back in 2007. This is part of the original pressing of 1000, split into 500…

This here is the brilliant split between Agoraphobic Nosebleed and Total Fucking Destruction; two of modern grind’s finest acts coming together on one short record. It was originally released in 2007 by Bones Brigade Records on a press of 1500 copies, 1300 on blue and 200 rare ones on green. It was repressed in 2009 on another 1000 red copies. Not sure how many people realize this, but the record is actually marbled. You can’t see it…

My final Agathocles 7″ for the time being! Phew! This here is the cheap Agathocles split with Jan AG & The Gajna, which was not released on any label. Again, there is no pressing info online anywhere, and I am assuming that all copies are black. Considering both bands feature Jan as the frontman, the evidence points to self-release, but something about this tells me it might be a bootleg. Any clarification is welcome! Agathocles…

This is Agathocles’ short EP called “Gotcha”, which is a collection of tracks that originally appeared on their split CD with Comrades (and Ravage on the Malaysia version, by yet another label) that was released by SOA Records. There isn’t label or pressing info included in the release, or easily available online. It is unclear whether the band re-released these songs on this 7″ themselves, or it was done as a bootleg. Judging by the…

This is Agathocles’ split with Italian fastcore band Repulsione, released in 2008 as a co-release between the excellent Grind Block Records and ¡ZAS! Autoproduzioni. Limited to 500 copies on black wax. Another great Agathocles release, I’m not entirely sure if these songs are originals or not but they are not of the “what appears on 95% of splits” stock. Sound is raw as per usual, but great tunes. Repulsione, who feature members of 2 Minuta Dreka (also the…

Atomçk split with Paucities on black wax, release in March 2011 by a whole team of small labels working together, which is really cool. 7 Degrees Records, Selfish Satan Recordings, Killing Art Records, Rauha Turva & Ill Neglect all worked together to put out this release. All copies are black. Atomçk is the strongest band here by a country mile; their modern “nerdy” grind outshines Paucities’ usual noisy mush. That’s not to say that Paucities…

“Live And Noisy” is an Agathocles double 7″ set organised by Bad People Records and Riotous Assembly in 1997. This is the black “repress” version, it is unclear whether the alternate grey version on 500 pieces came before or at the same time as this version. This is one of my favourite Agathocles vinyl, probably because there isn’t an awful noise band hogging the flip side to each record. Sure, the sound is really raw…

This here is the crazy split between grind monsters Agoraphobic Nosebleed and the slightly ridiculous Crom. The fantastically named cult record label Regurgitated Semen Records is wholly responsible for this abomination of a record. This is one of the 500 copies released on black in 2009, along with 500 on red. Strange fact: in 2010 RSR let loose another 100 copies on black which came with a bonus 5″ that turned out to be “fake”….

This shitstorm of a noise/grind record was released in 2004 by Noise Annihilation Records, a sublabel of the parent label Festering Deathfuck Decomposition. All copies are red. I do not know how many were made. This is worth having for the song titles and band name alone. On the back of the sleeve it says “ASHIAIP play lofi as fuck hizbulla blastgrind”, and I don’t think I could have put it better myself. If you’re not into…

Another absolutely awesome release from Bones Brigade Records, pairing the craziness of France’s Gronibard and perverse, head-rattled drum machine tunes of Anal Penetration. Pressed in 2009 on a run of 500, with 300 on black and 200 on transparent green. Anal Penetration bring their usual watery, boxy porngrind to the mix, while on the other side of the disc Gronibard take the opportunity to crucify Anal Penetration at every given moment, with song titles such…

Released in 2008 on 500 copies of black vinyl by I Hate Humanity Records, Netherlands. I imagine that I picked this up in some trade or something. In fact, I explicitly remember having a few of them knocking about. I think they are all gone, but I kept one for my personal stash of vinyl.

Released in June 2009 on Bringer Of Gore Records in Belgium. Limited edition of 335 on black. Agathocles side is more re-recordings of classic tracks, but the recordings are great. VRV side is pointless noisecore, which is actually a bit grating on my patience (which is a shame as VRV is really cool). As with most split 7″s featuring Agathocles, this is most definitely a completist’s item only.

Released in 1992 on Rodel Records in Germany, although a different original version was released in Japan a year earlier by Fight Men Records (RIP), making this 7″ a reissue. I do not know any exact pressing information, other than the entire run was pressed on black wax. Agathocles spew up a few live recordings, which are surprisingly really good. Morbid Organs Mutilation are pretty cool too. A lot of sources credit M.O.M’s tracks as…

Agathocles split with Embalming Theatre, released in 2000 by the now seemingly defunct Paranoia Syndrome label. Pressing limited to 1000 copies on clear/red splatter. I have number 649. Another favourite of mine, with two masters of the 7″ split meeting on one piece of vinyl. Everything by Embalming Theatre is just great (don’t know why, it’s just something about them that makes them very listenable for me) and it’s an amazing that Agathocles seem to…

One of Agathocles’ many split 7″s, this time on black wax with Kadaverficker. Released as a joint venture between Power It Up and NCU Records. This is far from Agathocles’ best, but nowhere near their worst, repetitive, churned over material. Kadaverficker aren’t too bad, either. Definitely a completist’s item (if your daft enough to try and collect every Agathocles 7″ in the world!).

One of Agathocles’ first ever 7″ EPs, released on Flabby Records (RIP) back in 1991. All pressings are on black vinyl, although the artwork varies from shades of white to shades of green and red. I believe that there are equal numbers of each colour out there (there is no evidence to suggest otherwise). This is probably my favourite Agathocles release; it really shows a different sound to the political based noise approach that we…